当前位置首页喜剧片《女巫1967》

女巫196710.0

类型:未知其它 1967 

主演:西尔瓦娜·曼加诺 安妮·吉拉尔多 弗朗西斯科·拉瓦尔 马西莫·吉洛蒂 

导演:莫洛·鲍罗尼尼 维托里奥·德西卡 皮埃尔·保罗·帕索里尼 佛朗哥·罗西 卢基诺·维斯康蒂 

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芒果播放

剧情简介

《女巫1967》是莫洛·鲍罗尼尼,维托里奥·德西卡,皮埃尔·保罗·帕索里尼,佛朗哥·罗西,卢基诺·维斯康蒂导演的一部超级经典的片,该剧讲述了:

  "The Witch Burnt Alive"
  After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
  "Community Spirit"
  Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
  "The Earth Seen from the Moon"
  The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
  "The Sicilian"
  Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
  "A Night Like Any Other"
  Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

小日本的亚神,却在三方的压力下,一眨眼工夫便被挤到一个小角落,落发着粉红色的异彩,也笼罩了近亿万光年的空间。,想看更多的相关影视作品,请收藏我们的网站:zzhyq.com

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女巫1967影片的精彩影评

  • 马里奥发表于: 85小时前
    一开头就可劲的嗨,可是故事到一半貌似酒吧里没了音乐,夜总会开起了日光灯,还好磕的药劲够大,摇头晃脑的跟着姜文来到了最后,结局是不错的,电影表达的东西也出来了,可就象早泻,前戏功夫做的姑娘都打瞌睡了,一进去,半分钟完事,这是不应该的
  • 女汉子不是汉子发表于: 36小时前
    有的人在X光片上死了,有的人在空棺里活着。有的人在床头被皮带绑着,有的人在礼堂被心魔囚着。一块手表让浪子回头,半张黄纸让恶魔复活。一口黑水让凡人开悟,半首颂歌让贤者归西。关帝的茭杯算不准几人冥顽几人鼠窜,周处的枪口除不尽几人奸害几人无辜。天地不仁,我总要靠自己去缝上那件垫肩西装。
  • 四月小仙长发表于: 26小时前
    劲爆、干脆、爽到底,这才是理想中上佳的动作片。没有文戏的拖泥带水,没有人性的隐忍牵绊,没有不必要的旁枝末节,特工老爸就这样带着主角光环一路狂追到底,见谁干/杀谁,直至救出女儿为止。不过,跳脱出精彩的动作戏,这样的剧情路线显然安排的痕迹略重,可想想,很多的动作片故事还不如此般设计?
  • 懒羊羊大王发表于: 6小时前
    故作帅气的台词 不过赛车永远让人肾上腺素飙升啦!
  • 北冰洋著名果蔬发表于: 132小时前
    雷沃纳尔在这部电影已经完全跳脱出《女巫1967》里那种温子仁影子很重的镜头语言,拍出了自己的风格,青取之于蓝,可能还胜于蓝。整部电影的气氛渲染仿佛把影迷拉回了那个以密闭空间,创意取胜的欧恐黄金年代,现在还能拍出这种压迫感极强的心里惊悚可是太难得了,恐怖片是对镜头语言要求最高的片种,而且编剧出身的沃纳尔剧本功底一直很强,镜头还能在烂俗桥段上调度出新意,有望成为这个时代的恐怖大师。