当前位置首页欧美剧《爱情交叉点》

爱情交叉点8.0

类型:未知其它 2016 

主演:Saadet Aksoy Andy Boyns Aybars Kart 

导演:Deniz Yorulmazer Gökçen Usta Çaylar 

剧情简介

《爱情交叉点》是Deniz Yorulmazer,Gökçen Usta Çaylar导演的一部超级经典的片,该剧讲述了:

  Ali Nejat Karasu is a former race-driver and a playboy turned into a businessman. He runs Karas Holdings which is part of a group his father built while making a fortune in ship building. His real passion is still cars and he dreams of launching a new car. While on business trip in Italy with his friend Ayhan, they come across Naz, a charming pediatrician who makes an impression on both of them. Due to unforeseen circumstances Ali Nejat finds himself as a single father to his previously unknown son, Kaan. While trying to balance his life as a new father and a businessman, Ali Nejat ends up leaning on Naz for help. Naz, whom Kaan has met before, becomes important person in their lives. Umut, Naz's husband, works as a mechanic with Genco and Isot in a small local garage which is struggling to stay in business. His skills as a designer gets the attention of Ali Nejat, who hires him as a designer for his car project. Bad decisions in business keep haunting Umut and Genco, and cause a ...

宋军道:“是的,胡一帝可不想把他们留在基地中制造危险,而且他们也不敢对那些人怎样,一来进化组实力摆在那里,二来惹怒国家会不顾一切用导弹灭掉嘉峪关基地。”,想看更多的相关影视作品,请收藏我们的网站:zzhyq.com

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爱情交叉点影片的精彩影评

  • 方方发表于: 176小时前
    偶尔能笑一下,那种后悔为什么人能因为这个笑的那种笑。。。
  • 落叶村发表于: 84小时前
    很遗憾,在看过阿莫多瓦《爱情交叉点》之后才看这部电影,但是也是另一种缘分吧,在下载了两三年之后今晚突然点开了它,而前两天刚看完阿莫多瓦那部。说遗憾,是因为它们主题是相近的,阿莫多瓦明显对《爱情交叉点》有借鉴,可以说那是阿莫多瓦心中的“爱情交叉点”了。拍这部电影的时候,伯格曼还不到四十岁,就已经能将一个老人的状态塑造得如此精炼传神,厉害极了。身如已灰木,心如不系舟,衰朽残年里都是念念不忘和耿耿于怀。梦境中的自己两鬓斑白,终于找到了父母之后的欣喜太有力量了,真感动,因为这一段心甘情愿奉上五星。
  • 左胸上的吸盘发表于: 188小时前
    C+/ 有些时刻总以为会滑向过于严肃或圆整的情境,但总是能通过恰到好处的幽默感或是画外元素的浮现让叙述重新打开口子。与此同时,梦境的口子却变得愈发隐微,甚至成为摄影机展露自身在场的契机。于是梦境或想象成为沉默者凝视、言说乃至制作的时刻。可惜整体仍不太均匀,有些段落的调度和剧作结合得并不那么奏效以至于难掩贫乏。
  • ||:da da da:||发表于: 66小时前
    ●9.0分●前几集因为画风阴暗而不喜欢,几集之后渐入佳境。叶开、傅红雪、丁玲、路小佳、翠浓、马芳龄……这些人的形象都是如此鲜明。但愿叶开能对丁玲好一点,丁玲纯情而任性,但对别人不刁蛮,很喜欢她。翠浓自甘堕落再入妓院那集,真是令人难受。叶开光风霁月,路小佳洒洒落落,傅红雪痛苦执着。古龙的武侠比金庸的武侠少了很多明落,喜欢搞悬疑,但却同样塑造了一个侠义江湖,令人心驰神往。
  • 法蘭琪发表于: 131小时前
    在我沉醉于自我感动之余发现了个问题,爱情交叉点中国的拍工人农民的文艺片的受众是知识分子和中产阶级,工人农民不看这种东西。工人农民的形象在银幕上接受我们的凝视,然而我们对工人农民以及他们的生活只有脑中的幻想,于是,有某种羞耻让我不安。